Tokyo

'I found My Tokyo' - Travel Agency Slogan. Tokyo.

The final chapter of an incredible journey.

We’d had enough of the noise, so we gave up the flat and moved into a hotel to finish off our trip in a bit more comfort.

We booked a hotel on-line, using the same sight we have booked all other hotels. It advertised ‘Superior Twin bed room (sleeps 3-4).’ Sounded ideal - spacious and quiet.

Turns out, when we arrived, the price quoted was for two beds, one person. With huge fees for additional people. How can this be allowed? The online booking company told us it was the hotel’s set of conditions and not their responsibility for misrepresentation of facts. They would not let us raise this issue as a warning to others on their media forum. It was banned. 

So, bed 21 brings us to our final couple of experiences and these both took place late at night.

So it seems to me that Japan’s life is about art and culture, anime paradise, crazy technology and a very large sex industry.  Kabukichō is the location of many host and hostess clubs, love hotels, shops, restaurants, and nightclubs, and is often called the ‘Sleepless Town’. This red light district is not quite as explicit as other cities in Japan, but it comprises of many, many hotels advertising stay, rest, or sleep.

The adult entertainment is hidden behind closed doors, with only a few touts hanging around outside. The red light area  has been absorbed into the vastness of Shinjuku - the most central entertainment area in the metropolis of Tokyo. Tourists are encouraged and generally get ripped off with almighty final bills. Not quite as obvious to see are the many places that remain for Japanese only. Foreigners are not welcome.

What has recently emerged are young male Japanese escorts and clubs for females to enjoy their company. The derogatory imaging has become more anime in style.

It still bewilders me that a society that appears so shy, conservative and introverted has such a huge countrywide sex industry, with so many loop-holes to avoid the illegalities.

Kabukicho is apparently crowded with members of the Yakuza, the Japanese mafia. Yakuza members run a large amount of the bars and clubs here. This is why, for the first time in Japan, I have seen policemen patrolling this area. The Yakuza have a scary reputation and tourists are warned not to cause any trouble.


Time for one last adventure and this took place in Kawasaki…

Keihin Industrial Ward is a futuristic landscape. We attempted to make our own way there so we could roam around the eerie never-ending maze of factories belching out fire and smoke 24 hours a day. Unfortunately this wasn’t to be. We found the correct train routes, but they were closed due to an accident. Everywhere was gridlocked and the trains were terminated. We weren’t going to give up and took the next best option - a freezing Japanese boat tour. We could only take the late night one, so not great for photography and we were unable to land anywhere. We have no idea what information was given to the few brave passengers as there were no translations. The views were staggering. Straight-out of Final Fantasy.  

This heavy industry concentrated in the Kawasaki-Yokohama harbour area, includes steel mills, oil refineries, petrochemical complexes, and shipyards. Major land-reclamation projects in the bay have created room for the industrial expansion.

There are massive questions on its environmental pollution.


So that is it. Three months travelling complete. Back to England - a little wiser, more knowledgeable and a great deal to think about.

'We want visitors to get lost rather than follow the order'. - Quote - Toshiyuki Inoko. Founder of Teamlab.

Good Morning Tokyo, our final destination.

After a wild goose chase We rocked up at our 20th and final bed of the trip only to find we couldn’t get in. Thanks to nimble hands and a pen we managed to retrieve the keys from a locked box. Our traditional Japanese one roomed flat had a certain 70s feel so we knew it was past its sell by date, but it was fine. Until that is the people upstairs came home in the evening. Then the thin walls reverberated every word and footstep around us, then 8.00am every morning the scaffolding company over the road loaded their trucks. Funny how some things are never mentioned in reviews. The location was great and nothing was too difficult to get to.

One’s not enough.

Here in Tokyo, I began to feel as though we weren’t in Japan anymore. It was the same, but different. Same city mind-set but without the historical beauty or skyscraper magnitude like London and New York. Tokyo is vast, impersonal and digitally noisy but humanly quiet.

We must have only scratched the surface in our week here, but slowly we dug and discovered there was more.

The cleanliness is there, as is the order but it’s a little less rigid. The Christmas lights added a warmth to the neon overload. Everything is bigger here: the shops, crowds, stations and the crossings. We saw some bizarre labelled fashion, but we thought there may be more extremes and creative looks but we didn’t see much evidence of this, its surprisingly bland and predictable, I guess thats globalisation for you.

This is the front.

This is the back!!

It appears to be the latest trend to wear matching outfits.

The Cosplayers add an alternative look to the branded market.

The ride out to Palette City, near Tokyo Bay was spectacular both in daylight and night-time. The views were amazing as you looked back at the city. Then we discovered Teamlab…

The new Mori Building Digital Art Museum: TeamLab Borderless, sounds a bit dull and a bit of a mouthful, fortunately its a concept that belies its name. The world’s first digital museum of this scope and massive scale. 10,000 square feet of it. A totally immersive and interactive experience created by TeamLab, a fast-growing Tokyo collective of so-called “ultra technologists”.

Home to about 50 artworks loosely divided into five areas, orchestrated by a network of 520 computers and 470 high-tech projectors.

Like many elements in Japan, their Art museums are bound by rules, but this place is a change from the norm. Here there are no borders, the art moves with you, as you wander aimlessly soaking in the mesmerising fluid displays in forests, seas, fields of flowers and much, much more. Within all the technology it remains tethered to reality, whether its the change of seasons or when you touch a fluttering butterfly, it promptly dies.

Teamlab say the “borderless” concept is what the real world is like. they want visitors to get lost rather than follow the order.”

The slow shutter speed made the hares appear exoskeletal as they jumped down the corridor with you.

Apart from William Kentridge’s - 'More Sweetly Play The Dance’, this was a breathtaking experiences. Links to Japan’s nature, art and culture are evident in most areas and makes the experience even more unique. The term ‘Museum’ is perhaps a misnomer. this is a digital installation and a very fine one at that.